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Staff review
Staff write-up
Was DC K.O. a knockout or a phantom punch? Somewhere in between, but it leans toward the lame duck end simply because of the slog to the finish line.
Let's get one thing straight. This was never a philosophical event in the tradition of past universe-defining titles. This was a kid playing with his toys, which is kinda ironic given that AEW has a crossover line and Tony Khan has been accused of similar booking. Throwing your biggest names at each other in matchups we don't normally get to see, consequence be damned. Unadulterated action, easily accessible, minimum lore depth required. The only real homework is understanding and accepting Doomsday's transformation from heartless killing machine to omnipotent Time Trapper. Once you're over that hump you're in.
Scott Snyder and Joshua Williamson designed KO as a deliberate palate cleanser between heavier events. Snyder is a genuinely polarizing writer and KO is a textbook example of why. At his best he's near-visionary. At his most common denominator he's exactly this, big swings, crowd pleasing set pieces, and a finale that raises more shoulders than applause. KO lands closer to the latter.
Things stay light until the finale, the whole structure semi-ironically paralleling setting up pieces on a game board before the real match begins. We get a March Madness style bracket of one-on-one fights to crown a King Omega capable of taking on Darkseid. Simple enough premise. Spoilers: Lex Luthor actually wins the tournament, for about five minutes. Because Doomsday sacrifices himself to power Superman back up, Lex gets fried, and Clark takes on Darkseid across time and space until he punches him back to the Big Bang. It's Clark in the end. It's always been Clark. The fact that we needed Lex winning, a Doomsday sacrifice, and a multiversal fistfight through time to get there says everything about how convoluted a simple premise can get when no one is holding the reigns. To keep with wrestling analogies, this is Vince Russo booking without a filter.
Nothing here will leave a lasting mark on the DC Universe and that feels very much by design. This is one large setup for the next event and the return of Darkseid, already teased in the closing pages.
The tease is seemingly "Absolute Crisis is coming." DC hasn't confirmed that but it would be genuinely surprising if thats not where they're headed.
Good wins, evil loses, as usual. But the genuinely interesting question KO raises and then largely abandons is the Absolute Universe itself. Absolute Superman and Absolute Batman are two of the best comics DC has published in years (Martian Manhunter lost me and I couldn't get into Wonder Woman. Flash has been hot/cold). Clean slates, no continuity baggage, fresh takes on iconic characters that feel genuinely alive in a way the main line hasn't managed consistently in a long time. That line has been earning its reputation issue by issue.
Which is exactly why watching KO drag those characters into the main DCU's event machinery is worrying. It's revealed that Darkseid's Omega Energy shaped the Absolute Universe from within, which raises an uncomfortable question, why would Darkseid build a universe populated by heroes nearly as capable as his opposition? The book waves this away so quickly that it creates more problems than it solves. And how will the Absolute characters cope in their own titles after being weaponized against their established counterparts? Will anyone even address it or does it just quietly get swept under the rug the way these things usually do?
My cautious optimism is still there. The Absolute line is too good to write off over one messy crossover. But KO is the first sign that DC might not be able to resist doing to the Absolute Universe exactly what they've done to every other promising initiative, overstuffing and over engineering it. A genuinely interesting introspection about identity, creation, and what it means to be a hero built from Darkseid's DNA could have been made here. Instead it's thrown in as filler and fodder to set up the next thing.
So was KO good? Nah. Not really. Was it fun? Sure.
Where does it and Clark go from here?
/me shrugs
Same vibe
Same desk